大卫·贝利采访了意大利电影导演卢基诺·维斯康蒂，他的作品包括《魂断威尼斯》、《纳粹狂魔》和《豹》。维斯康蒂在巴伐利亚拍摄电影《路德维希》时接受了采访，当被问及他对意大利新现实主义的影响及同性情节在其作品中的普遍性时，这位导演令人耳目一新地坦率且切合实际地回答了这些问题。贝利还与《路德维希》的主演赫尔穆特·贝格和罗密·施耐德进行了交谈

Milan, 14th Century.

Cinematographer John Bailey discusses director of photography Freddie Francis's innovations for the 1961 film 'The Innocents', and how Francis and director Jack Clayton achieved the look of the film.

"On Broadway" featured Carol Channing and Pearl Bailey, both red hot after their respective runs in the smash hit "Hello, Dolly!" on Broadway. The special was filmed on the stage of the Wintergarden Theater in New York and originally aired on ABC in 1969. Together the theatrical legends playfully perform some of their most popular hits, including 'A Little Girl from Little Rock,' 'Little Green Apples,' 'If My Friends Could See Me Now,' and 'Won't You Come Home, Bill Bailey.' Next, they perform an assortment of familiar showtunes including hits from "Guys and Dolls," "The Music Man," "Hello, Dolly!," and "Fiddler on the Roof." "On Broadway" is an entertaining step back in time.

An analysis of Hitchcock's Notorious through Hitchcock's camera work, shots, camera angles, lens, and stylistic choices.

When a group of generals from the Pentagon notify General Halftrack that they want to inspect a model of the modern soldier, Beetle Bailey probably wasn't what they had in mind.

Bailey's Comets is an animated cartoon series that aired on CBS in the 1973/74 and 1974/75 seasons. The second season consisted entirely of reruns. The series was produced by DePatie-Freleng Enterprises and was created by David H. DePatie and Friz Freleng in association with Joe Ruby and Ken Spears

During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.

From polar bear raves to AI sea shanties and the collapse of the teaspoon industry, Bill Bailey leads a magical, musical mystery tour of the human mind in his 2025 stand-up show at Edinburgh Playhouse.

Jumping around from musing about the disappointment of Kinder Surprise eggs to medieval porn to men's tendency not to admit ignorance to a brilliant take-off of Chris de Burgh, which comes out of nowhere. Yes, Bailey lacks an inherent structure--unlike Harry Hill or Al Murray--so you could walk in half way through and not miss any underlying subtleties.